• An impressionistic painting of a woman with long brown hair sitting on a chair with a dog on her lap. She leans her head against the dog, appearing relaxed. There are red flowers on the floor near her feet.

    Editing with Precision, Resonance, and Heat

I am an editor and writer who thrives at the intersection of clarity, imagination, humor, and passion.

About Me:

Whether your manuscript is driven by emotion, rooted in research, or set in a fantastical realm, I bring a sharp editorial perspective, love of genre, and a profound respect for your unique voice to our partnership.

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For over a decade, I’ve helped scholars refine their arguments, novelists strengthen their storytelling, worldbuilders expand and enhance their lore, and poets hone the rhythm and resonance of their lines.

A woman with blonde hair and glasses working on a laptop in a room with a potted plant and a brick wall background, illustrated in a comic book style.

My background includes advanced training in writing and research as well as extensive professional experience working with manuscripts across genres.

When I’m not editing, I tend toward pursuits that reward curiosity, whimsy, and research — like exploring obscure history, vintage fashion, or folklore. In general, I’m as likely to be found watching Star Trek as trying to recreate a thousand year old recipe.

If you’re curious, I read widely and reread selectively, gravitating toward books that linger, unsettle, or quietly last. I have a longstanding affection for fantasy-romance, science fiction, speculative fiction, the paranormal, and the gently strange.

In fiction, I return often to Patricia McKillip, Octavia Butler, Terry Pratchett, Ann Leckie, Catherynne M. Valente, Alexander Dumas, T. Kingfisher, Neal Stephenson, Oscar Wilde, and J.R.R. Tolkien.

I also admire Mikhail Bulgakov, Kurt Vonnegut, J.G. Ballard, Angela Carter, Dorothy Dunnett, John Barth, and, of course, William Shakespeare.

In non-fiction, Ronald Hutton (no relation) remains an absolute touchstone and medieval and early modern grimoires are a go-to.

Oh, and I have a particular fondness for the semicolon and the Oxford comma, a deep respect for the now maligned em dash, and a serious loyalty to Arial font.